HubbleSpacePhotos.com
Frequently Asked Questions
|
||||||||||
1) What do "M", "NGC", "NIC", etc., stand for? 2) What is the big deal about Jesus? 3) Why do you have 'Shroud of Turin' junk? Radiocarbon dating proved it's a fake. 4) Are the images or the video copyrighted? 5) Is it okay to download them? 6) Can I have your permission to use the photos on my site? Publish them? Link to your site? etc. 7) Can I access the images directory directly, to download images easier? 8) Where can I get all Hubble photos? 9) What is the meaning of file or object names like 9832a or 0012b? 10) What is the
difference between "Revelation" and "Apocalypse"? 11) What is the connection between the images and the Bible verses? 12) Which Bible translation did you use? 13) Do you believe in the Big Bang? 14) How do you get links in multiple colors? 16) Do you have any other sites? 17) How can I link to the site? 18) How do the e-mail links work?
1) What do "M", "NGC", "NIC", etc., stand for? Those are the initials for various catalogs of astronomical objects. "M" stands for Messier (an astronomer), NGC stands for New General Catalog. I guess NIC stands for New International Catalog. For instance, M81 is the 81st item listed by Messier and NGC4214 is the 4214th item in the New General Catalog. Some of the items also have popular names such as the Andromeda Galaxy. Items in older catalogs are also listed in the newer catalogs, under different numbers. NICMOS and WPF are two of the cameras on Hubble.
That requires a fairly detailed explanation that is beyond the scope of this website. See this link for information: About Jesus
The radiocarbon dating was performed on a sample cut from one corner of the Shroud, in a portion where there is no image. In the mid-2000's a husband and wife couple (who were not scientists) realized that photomicrographs (ultra-high resolution photos) taken in the late 70's by a member of the Shroud of Turin Research Project (STURP) showed that there was a previously unsuspected repair of the Shroud and that the entire sample was taken from the repaired section. Without identifying the object photographed or who took the images, they submitted the images to three textile experts, each of whom said the images definitely showed an expert repair using a "French reweave" technique common in Europe in the early modern era. The technique wove in a piece of cotton and the cotton was then dyed to match the color of the surrounding linen. This is possible because linen is highly resistant to dye but cotton is not. The repair was done so expertly that even under high magnification and close inspection, none of the STURP team had noticed any difference. The couple managed to get a scientific paper published and to present their findings at a respected conference. When the paper was published, Ray Rogers, the scientist who had taken the photomicrophs, read it and his reaction was, "That's ridiculous! These people aren't even scientists! I have sample fibers we took during the examination. I can prove their theory is false! Rogers put a sample under the microscope and got the shock of his career when, instead, he confirmed their theory! He saw that clearly there were cotton threads interwoven into linen threads and the cotton was dyed to match the linen. Because Rogers knew he was dying of cancer, he called another member of STURP, photographer Barrie Schwortz, told him his results, Schwortz videotaped interview footage with him, and he prepared a paper and submitted it to a scientific journal five days before his death. Subsequently the paper was accepted and published in 2008. Schwortz also examined X-ray false-color flourescence images taken by STURP and pointed out that in the entire Shroud, the only area that came out green was the area from which the sample was taken—indicating that that area had a different chemical composition than the rest of the Shroud. Prior to the discovery of the previously unknown repair, no one had noticed the anomaly. The interviews with Rogers and Schwortz were included in a December 2008 documentary on the Discovery Channel titled Unwrapping the Shroud: New Evidence.
As far as I know, no. Regarding the "Nailing to the Cross" Flash video, I ran across it years ago on a website. As far as I know, the site is no longer up. If I remember correctly, the author did not object to other people using it. Unfortunately, I don't remember his name or how to contact him. There may be some information in the video source but I don't have Flash Shockwave Macromedia authoring software, so I can't check. I put together the Praises to God animated GIF praise-anim.gif and the animated GIFs used by the Trail of Stars script. You can use them without requesting permission. I would appreciate a link back to this site or to God On The Net.
Yes.
I have no ownership interest in any of the image files, including the "Nailing to the Cross" Flash video. You don't need my permission. I created the animated religious GIFs. You can use them without my permission. If you do, I would appreciate a link to the site. Regarding linking, permission isn't needed, not even for "deep" links, i.e., pages other than the home page. Telling someone they need permission to link to a site is like saying, "You can't tell people which stores sell the book I published unless you get my permission." Hogwash!
Full-size images are stored in the /pics subdirectory. Thumbnails are in /thumbs. You can access the subdirectories directly and download the individual files.
I don't think there is any such place. Hubble has taken millions of photos. For a fairly good selection, see the Links page.
I'm not sure. My guess is that the first two digits are the year the image was made. The second two either indicate the week or the number, i.e., 9832a was taken in 1998. Either it was taken in the 32nd week of 1998 or it was the 32nd image taken or released in 1998. The highest number I have found is 9943a, so I can't tell. Regarding the "a" or "b", those are multiple images of the same object, i.e., 9943c is the third image of the same object imaged in 9943a and 9943b. The numbers are not astronomical catalog numbers! Anytime where the file name is an astronomical catalog number I included the catalog, e.g., M81 or NGC1512.
In Roman Catholic translations, the final book of the New Testament is titled "Apocalypse", from the Greek word for "revelation". In Protestant and Messianic Jewish translations it is titled "Revelation". The contents are the same. I listed the scripture cites both ways so they can be found either way on search engines.
Theologically, there is no connection. Mainly, an image just happened to bring to my mind a particular verse. Sometimes I searched for words like 'star' or 'heavens' and when I found an interesting verse I looked for an image that seemed to fit it. In other cases, I just picked an important verse even though there is no connection to the image.
Various translations were used, including the New King James Version (NKJV), New International Version (NIV), American Standard Version (ASV), and Revised Standard Version (RSV). I chose whatever sounded best and/or sort of described the image.
On the contrary, the Bible says, God created the heavens and stretched them out. It said that way before Edwin Hubble discovered galaxies and announced to the world on New Year's Day of 1925 that the universe is expanding. I am well aware of things like Robert Wilson and Arno Penzias winning a Nobel Prize for discovering the cosmic microwave radiation background while searching for sources of noise that affected telephone transmissions. Biblical Hebrew verbs don't have tenses. There is no way to say, "I will go, I did go, I had gone," etc. There is only "completed" ("perfect") and "not completed" ("imperfect"). When it comes to the heavens and "stretch", interestingly . . . sometimes the Hebrew says God streched (completed) but other times it says God stretches (not completed). So . . . which is it? Is God finished or not? Well—according to science—it's both.The universe started out as a "dot" smaller than a proton, it expanded massively and virtually instantaneously ("the Inflationary period"), that expansion stopped, and then a different type of expansion, much slower, took over, ("cosmological expansion"), caused by "dark energy". Hmm . . . how did the Bible authors get that correct thousands of years ago?
The usual HTML code for a link is something like this:
The difference is that the font color is specified inside of the reference tags. Note: even if you specify a COLOR in the usual code, it will be ignored.
The website is hosted on a Linux server. Unlike MS-Windows, Linux filenames and directory names are case sensitive. In other words, in a single directory you can have one file named "index.htm", a second named "Index.htm", a third named "INDEX.HTM" and a fourth named "Index.HTM". The filenames are lowercase and have no spaces. Instead of spaces, I use underscores. Also, I didn't put a separation between the catalog abbreviation and the number, i.e., NGC1502, not NGC_1502. (I don't know which is considered correct, so please don't e-mail me to ask.)
Lots! Here's a list of my sites.
The HTML code for a text link is: You don't need to request my permission. This is the only banner I have. It is 450x75 pixels.
They activate a little javascript function designed to prevent spam robots from finding the e-mail address. The script can be put in the <head> portion of the HTML code or in a separate file: <script type="text/javascript"> Change the values of "var a" and "var b" to the target e-mail address. To use the function:
You can re-name the function, e.g., mail_me(). Actually, you don't need "var a" and "var b". Here is a simpler version: <script type="text/javascript"> Cautions: Make sure you have all the double-quotes correct or it won't work. The function name line uses parentheses but the rest uses curly braces, not parentheses. If you want to have some fun, use a different color for the underline or for different parts of the address and let techie-wannabees go crazy trying to figure out how you got different parts in different colors (apparently) without using a graphic! |
||||||||||
|